Drum Roll Please

This summer on a warm Monday evening, don’t be surprised if you see an impromptu parade, complete with a big bass drum, spilling out of the Hancock Church and winding its way through the neighborhood around the Battle Green. It’s most likely the Junior Fife & Drum Corps practicing for their next big event. Made up of students from local schools, the William Diamond Junior Fife & Drum Corps is celebrating its 10th Anniversary this year at their annual Tattoo & Muster, May 5th and 6th, at Lexington’s Minuteman National Historical Park.

Right, William Diamond Junior Drum & Fife Corps march in New York City’s 250th St. Patrick’s Day Parade.

By Digney Fignus   |

Most school children in Lexington know the story of William Diamond. He was the little drummer boy at the first battle of Lexington. The actual drum he used is still on display at Lexington’s historic Hancock-Clarke House. I learned about it when I was a student at William Diamond Middle School: “In the clear chill of an early April morning in 1775… Captain John Parker, commanding the Lexington minutemen, directed his drummer boy to go across the road to the Common and beat the call to arms. And when William Diamond, bringing the enthusiasm of his sixteen years to the beating of his gayly emblazoned drum, rolled out the call to the village’s minutemen, the War of the American Revolution began.” – William Diamond’s Drum by Arthur Bemon Tourtellot

The fife is an ancient instrument that has been used by armies since the 16th century. The sound evokes a certain patriotic emotion without fail, and has evolved over time from a rich tradition. Originally called a ‘Schweizerpfeife” or Swiss flute, fifers provided the music the first modern armies marched too. Most often they played popular or traditional songs from the soldiers’ homeland. During the American Revolution, before bugles were used, fifes and drums were an important signaling device to soldiers in the field. In the din of battle, it was almost impossible to hear shouted orders over any distance. Commanders relied on the fifes and drums to beat out particular patterns to signal soldiers to either advance, regroup, or retreat. It had a tremendous advantage because drums and the piercing

Director, Carmin Calabrese at the USS Constitution.

sound of the fife could be heard over a large distance, even as the battle raged. It was from this military background that the original Fife & Drum Corps came into being. In early armies, each company of 100 or so men would be assigned two fifers and two drummers to “sound signals.” When these smaller companies were gathered together into a Regiment or Battalion, all the fifers and drummers would play together in a “band” that would march at the head of a column or parade. Modern Fife & Drum Corps are arranged in a very specific way. Traditionally they march four abreast.

The Corps Color Guard will lead the way, followed by the Drum Major, brandishing a large ceremonial mace. He directs up to 16 fifes (4 rows) followed by one or two rows of “side drums” (snare or field drums, and long drums also called tenor drums). Bringing up the back, are the big bass drums. It’s a heck of a sound when they all get going together, and a little overwhelming to listen in an enclosed space, but on the street out in the open, there is nothing like it. The formation snaps to attention as the Drum Major’s brass-topped mace comes down. The drums start their roll-off to cue the fifes, and all together the Corps takes off into one of about forty different songs that they might perform during a typical parade. Thankfully, there is a rich repository of military and traditional songs that can be drawn upon.

The William Diamond Junior Fife & Drum Corps is celebrating its 10th Anniversary

The Company of Fifers and Drummers, a non-profit in Norton, Connecticut, is the national Mecca for enthusiasts of this type of music. It also publishes “The Company Book” which Fife & Drums Corps everywhere use as a Bible when searching for marching music.

Vincent Canciello bearing the William Diamond Junior Drum & Fife Corps guidon.

Heading up this year’s parade is Drum Major Simon Rubenstein, 16, a sophomore at Lexington High School. He is like the conductor of an orchestra, holding the four-foot ceremonial mace high above his head or swinging it off to the side to signal the precision team’s next move. The mace was a gift to the Junior Drum & Fife Corps. It was presented to them several years ago at the annual Tattoo & Muster by the well-known and long-established Middlesex County Volunteers Fife & Drum Corps from Medford. The veteran group had been so impressed by the Junior Corps performance (who at the time did not have a proper mace) they gave the young band one of their own in a show of respect.

Fife Sergeant Shayna Rubenstein, a 17-year-old senior at Lexington High, leads the fifes. She sets the pace at the head of the fifers at the top right hand corner of the column. Drum Sergeant Joesan Blackington, another 17-year-old senior at Lexington High School, directs the drummers from the center of the drum line. These three important positions are earned through a lot of hard work, so Simon, Shayna, and Joesan naturally take their jobs very seriously.

Marching with the Fife & Drum Corps is a little like rubbing your tummy and patting your head at the same time. Senior Fife Instructor Mark Poirier agrees but adds, “while hopping backwards on one foot.” Not only are you required to have a certain level of proficiency on your instrument, the Senior Corps is also a well-rehearsed drill team (one of the only ones in the country) that incorporates complex marching maneuvers into their performances. Even for young folks, it takes tremendous concentration to play together and manage your instrument while weaving in and out of formation.

The William Diamond Junior Fife & Drum Corps is open to boys and girls between the ages of 8 and 18. You don’t have to live in Lexington or need any musical experience to join. Mark explains, “We are giving them a musical education as well. If a kid doesn’t know how to read music we’ll teach them.” When I was there, Kirea Snell, 10, a 4th Grade student from the Harrington school was taking her first lesson on fife. Her mom waited patiently in the hall as Shayna took Kirea aside and gave her one-on-one instruction on rudimentary fife technique. Within a few minutes you could hear the familiar trill burst forth as Kirea started to get her first sounds out of the ancient instrument. I can’t describe the satisfaction and big smiles on everyone’s faces as Kirea finished up her lesson to enthusiast praises. Getting started is easy, and just takes a small $10.00 investment in a practice fife to learn the basics. Once you are able to master a few simple songs you can graduate to a wooden parade fife and start to participate in some of the marching drills. Drummers can get started with a minimum investment in a pair of sticks, a drum pad, and stand.

The program has a dedicated support staff. I was met by the Corps Clerk and “master of details” Tanya Morrisett, who gave me a quick tour and introduced me around. The Monday rehearsals are a little chaotic, but Board member Susan Rubenstein is another dynamo on the scene keeping things on schedule and getting things done. Lee Caron, the Senior Drum Instructor is a well-known percussionist and a graduate of the Boston Conservatory. He has extensive experience and has been a member of and performed with prestigious groups like The Old Guard Fife and Drum Corps 3rd US INF (Escort to the President), and The United States Army Band.

Mark Poirier is the Senior Fife Instructor. A founding member, he has been teaching fife to the Junior Corps since it started. He typically works with the youngest students. Tanya explains, “Mark has a special way of getting the kids to play. He’s extremely patient.” Mark has a simple approach to teaching fife, “I ask them all the same thing: ‘Can you count to seven? Do you know the first seven letters of the alphabet? Do you have ten fingers? Can you tap your foot?’” And in order to get an eight year old to visualize the proper aperture (the way you shape your lips when blowing across the fife; the hardest part about learning how to play), “I tell them to think about a food that they absolutely hate to eat, or a rotten piece of dog food on the tip of their tongue … it’s worked for ten years.”

For a modest $40.00/month, weekly music lessons, custom uniforms, and performance-grade instruments are provided to everyone enrolled in the program. The Junior Corps wears 1775 authentic yeoman fashions, hand sewn by Lexington seamstress Judy Crocker. The Senior Corps jackets, waistcoats, and breeches are the creations of Anita Bausk, another talented seamstress. The Corps even gets a fashion contribution from their Director, Carmin Calabrese, who besides directing rehearsals and contributing his wealth of expertise, has managed to master the art of making a tricorn hat, which makes him the go-to-guy for Revolutionary headgear.

While I was chatting with Tanya, I also got a chance to meet Bill Mix, current Captain Commanding of the Lexington Minutemen, and another one of the founders of the Junior Fife & Drum Corps. In the battle re-enactments Bill plays Captain John Parker, leader of the Lexington rebels. He gets to utter the famous line, “Don’t fire unless fired upon, but if they mean to have a war, let it begin here!” The Lexington Minutemen have been doing re-enactments and marching in the Lexington Patriot’s Day parade for as long as I can remember. A veteran of the group, Bill reminisces, “Back then (2002) we didn’t have a band, and for a parade, you have to have music to march to. There wasn’t any program in the schools, so we decided to create our own.” Bill put an ad in the paper and was initially able to recruit about fifteen students from the Lexington schools. He got a few of his fellow Minutemen involved, including Mark and current Director Carmin. Carmin had grown up in the Fife & Drum tradition and has been fifing for 60 years. Mark had also been playing fife for years in a number of area Fife & Drum Corps. Mark says besides having music to march to they wanted to “make fife and drum music the signature sound of Lexington.” They started out rehearsing at Buchman Tavern but Bill, a long-time member of the Hancock Church, persuaded the church to let them

William Diamond Junior Drum & Fife Corps at Colonial Williamsburg.

rehearse the newly formed group in the church’s back hall, where they still rehearse today. The program caught on and has been a terrific success ever since. What’s the attraction? Mark reflects, “It’s a simple thing, but a meaningful thing.” He smiles and adds, “and we get to dress in funny clothes, and go to really interesting places.”

This year, the Junior Fife & Drum Corps has also recorded their first CD, chock full of patriotic songs. The disk should be available by the 10th Anniversary Tattoo and Muster on May 5th and 6th, and it’s just part of the group’s very exciting schedule. The season is stacked with 22 events throughout Massachusetts, Connecticut, and Rhode Island, including Lexington’s 300th Anniversary Opening Ceremonies on September 26th. In addition, the Corps performs at community service events like the annual Opening of the Lexington Town Meeting, Discovery Day (May 26th), the Opening of the Farmer’s Market (May 29th) and the Flag Day Ceremony (June 16th). On top of all that, this summer, the whole group has been invited to represent Lexington and attend the Fife & Drum Corps International Muster, June 28th – July 1st, in Basel, Switzerland. Fife & Drum music originated in Switzerland, so it’s a huge honor to be asked to perform.

Wow, “Lexington Invades Switzerland.” That’s a headline I never expected to see. Best of luck to the William Diamond Junior Fife & Drum Corps, and congratulations on ten years of continuing the tradition!

For more info: www.williamdiamondjrs.org

Colonial Times contributor DIGNEY FIGNUS performs at Nourish Restaurant, 1727 Mass Ave, Lexington Center, Thursday, April 26, 2012, 8:00-10:00PM, NO COVER

 

Share this:
Filed Under: Articles, Lexington History Tagged With: ,

So you think you can dance!

Thelma Goldberg, Director of the Dance Inn

By Digney Fignus  |

I remember being in high school and first learning how to dance. There was no such thing as instruction; I was just imitating what I’d seen on TV shows and what some of the “cool” kids were doing. And although our dances had names like “The Skate” or “The Swim” it was still pretty much just shakin’ and wigglin’ around in a way that we hoped would impress the girls and drive our parents crazy.

That kind of freeform dancing was a blast and I got pretty good at it when going to nightclubs was all the rage. I always had a great time dancing but I’d never taken any formal lessons until recently, and I havc to tell you, there’s a big difference between “dancing” and “DANCE.” Still, with a little practice they both can be spelled “F-U-N.”

Lexington offers a wide range of programs for adults who like to “trip the light fantastic.” All you really need to do is check the internet where you can find a number of locations throughout the town to get up and “get down.”

My first stop was the Monroe Center for the Arts on Mass Ave. in the old Monroe School. I was headed to the Dance Inn, one of Lexington’s most popular dance studios, to meet the studio’s founder, and dust off my never-been-used tap shoes. Celebrating their 30th year, Studio Director Thelma Goldberg started the Dance Inn in February of 1983. Thelma began her dance training as a child and taught all throughout her undergraduate career as well as while teaching special needs students in Boston as a graduate student. After earning her M.S. in Special Education from Regis College, Thelma found herself at a crossroad. “I was on leave from Boston Public Schools, having trouble finding daycare, and wasn’t happy staying at home.” The Dance Inn was born. “In September of ’84 I came to Monroe” where she has been teaching ever since.

An energetic dynamo at age 59, Thelma (who still teaches dance classes 4 or 5 hours a day) is one of the best advertisements for the vitality of dance. She is also a tremendous advocate for the social benefits of dance. Thelma is especially passionate about the importance of sharing the dance experience. As she explains, “So much is to be gained by being part of a community.” After pounding the parquet for an hour with a gang of fellow tappers I can tell you, there certainly is something special about being in a group of dancers all in sync. Besides fellowship, Thelma touts the health benefits to “bone, circulation, memory, and balance.” Thelma jokes, “Where else is someone going to ask you to stand up on one foot for so long?” I really didn’t understand what she meant until I laced up my taps and started “heel, toeing” with the rest of the beginner class.

Class started out simply enough with a nice warm-up walk. At first I was thinking, “phht, this is easy.” Snap, five minutes later…”heel, toe, slide, slap, brush, slide, heel, slap…” All of a sudden it’s like I’m trying to calculate the square root of pi to the thirteenth digit. Besides that, there’s a muscle in my ankle screaming at me that I didn’t even know existed before. Maybe there is something special about this dance stuff. I generally pride myself on being pretty fit and coordinated, but while I was breaking out in a sweat, my classmates, some of whom were in their seventies, were leaving me in the dust. Somehow it didn’t matter. I was still having fun.

How has dance changed over the years? Thelma responded, “Not that much. Hip-hop has become a major dance discipline and has risen like a form of jazz dance. Like all styles of dance it’s responded to the music, just like in the swing era.”

Thelma’s son Sebastian was also part of the tap class. He’s a professional dancer who tours with a national dance troupe and teaches at the Dance Inn when the troupe is on hiatus. It’s really nice to see him following in his mom’s footsteps. It adds a special family vibe to the busy studio, which also offers adult classes in Jazz, Ballet, Hip-Hop, and Zumba, and sponsors an adult performing company called the About Time Tappers.

My next stop was the Bridge School. I had taken a ballroom dance class there a few years back taught by long-time dance instructor Steve White who retired last year after teaching the class for many years. This class was at the opposite end of the spectrum from my tap experience. The program is run by the Town of Lexington Recreation Department that also sponsors classes in everything you could imagine, from Adult Fencing and Rock Climbing to Red Cross and Yoga. Francis Floyd is the current teacher for ballroom dance. He is a former competition dancer who has toured the world and has a trophy case full of honors for his dance performances.

Ballroom Dance with Francis Floyd

The ballroom experience is a lot different than the high intensity of a tap class. It’s more like a date night, a great opportunity to skip across the dance floor with your significant other. Many of the couples who attend the intermediate class have been coming to the program for years and are quite accomplished dancers. This program is pretty laid back and although it might not prepare you for Dancing with the Stars, with a little effort, even a guy with a couple of left feet like me can figure out how to Tango and manage to look good doing it.

The newest craze in dancing is Zumba. It is currently being taught at all the dance studios in Lexington. With Zumba classes breaking out all over the place, I thought I’d drop by the Boston Sports Club Lexington to see what all the excitement was about. I was met by Valerie Gleason, the perky BSC Lexington Assistant General Manager who gave me a quick tour of the impressive sports facility located at 475 Bedford Street at the end of Hartwell Ave. Valerie stood out from the rest of the crew because she had on high-heels rather than sneakers, part of her corporate responsibilities. She laughed when I pointed it out, lamenting that she would rather be wearing her workout shoes. There is a lot of ground to cover at BSC Lexington. As well as aerobics and Zumba, they offer a complete package of fitness programs, and even have a convenient on-site babysitting service for parents on the go. As we made our way up to the large room where they were holding the Zumba class, Valerie gave me a brief overview of the new dance sensation.

Like a lot of huge successes, Zumba happened completely by accident. The creator, dancer and choreographer Alberto “Beto” Perez, was an aerobics instructor in Columbia during the 1990’s. One day he forgot the tapes that he had prepared for the class he was teaching and in a panic used whatever tapes he found in his backpack. It was mostly traditional salsa and merengue music. In a burst of inspiration Beto improvised dance moves to make it all work. People loved it, and when Perez moved to the United States in 2001 he partnered with an old friend from his childhood, Alberto Perlman. Together they licensed the concept, and the rest is history. Today there are franchised Zumba classes, Zumba clothing, and Zumba fanatics just about everywhere you look. Valerie warned me that sometimes it gets a little crazy when the doors open for class. I did notice a large staff “bouncer” standing by the door to help maintain order. The students for the class line up long before the start of the session, Valerie explained, “So they can ensure a good spot, since some people have a special place they like.” I could feel the anticipation building as the start time grew closer. A few people were decked out in total Zumba-wear, like warriors about to go to war. It was kind of exciting. Finally the doors sprang open and people poured in en masse.

Zumba class with Ann Munchmeyer at BSC Lexington

At the head of this wildly popular class is Ann Munchmeyer, one of the Zumba instructors at BSC Lexington. What a fireball! This diminutive mother of four from Lexington simply didn’t stop. I got a workout just watching her. Zumba is high-throttle aerobic dancing on steroids. The mix of Latin music crossed over from Shakira to a revved up version of “Jump Delilah” and even took a side-journey through Irish step dancing and Shiva-inspired poses set to middle-eastern rhythms. Wow, what a workout! Not really what I consider “dancing” but the moves are very similar and the health benefits are off the charts. For anyone who thinks normal aerobics is boring, this is the ticket.

The great thing about Lexington is that there is something for everyone. Besides the wonderful opportunities offered by the Dance Inn, the Lexington Recreation Department, and BSC Lexington, there are also classes available through the Lexington Community Education program which is an extension of the Lexington Public Schools. It offers all kinds of classes for adults and young adults in a variety of areas including dance, where this spring they are running an Argentine Tango class. The classes are open to everyone. You don’t have to be a Lexington resident to register or attend. The programs operate parallel to the public school schedule, offering classes for adults in the fall, winter, and spring, and having a special children’s program during the summer.

No dance article would be complete without mentioning the Lexington School of Ballet. It is located on the second floor of the Monroe Center for the Arts just upstairs from the Dance Inn. The Lexington School of Ballet has been training young ballerinas for years. Many have gone on to apprentice at prestigious programs like those offered by the American Ballet Theatre, the School of American Ballet (New York City Ballet), and the Royal Academy of Dancing in London. In addition to the excellent programs for children, the Lexington School of Ballet also offers classes in Ballet, Pointe, Modern Dance, and Jazz for adults. Ballet is one of the best disciplines to work on balance and flexibility. Even pro-football players have studied ballet to improve their athleticism.

The bottom line is, there is no excuse NOT to dance. It’s joyful, good for you, socially uplifting, and you can look good doing it. Lexington has so many opportunities maybe it’s time for you to dust off your dancing shoes too. Who knows, maybe I’ll see you at the next tap class.

 

Share this:
Filed Under: Archived Stories Tagged With: , , , ,